Showing posts with label birds. Show all posts
Showing posts with label birds. Show all posts

2014-07-21

Homemade Phonescoping Adapter

Many of my previous posts dealt with digiscoping adapters for compact digital cameras and spotting scopes, but what if you don't have one of those three ingredients with you? You're more likely to have your smartphone and binoculars with you when birding, so here's how to make your own smartphone digiscoping adapter. Is it still called digiscoping? I guess it's called phonescoping.

What you need:

A case that fits the back of your phone.

Self-adhesive hook and loop fastener ("Velcro"). I found some 5 cm (2 in.) wide at Amazon. Try to get the widest and strongest you can find.

A 35mm film container or similar item that will fit snugly inside the eyecup or outside the ocular of your binoculars, here my trusty old Swarovski Habicht 7x42s. I saved a bunch of film containers when digital cameras arrived on the scene, but you can still find them online, e.g. at eBay.

Use a jar lid or similar item as a template to mark the back of the soft side ("loop" part) of the hook and loop tape. You want it to be 6 or 7 cm (2.5 to 3 in.) wide in order to accommodate several sizes of adapters. Cut along your marking.

Now use your smartphone case as a template to mark the hole in the middle. Then cut it out.

Take the backing off the tape, and press it firmly onto the phone case, centering the holes. Cut off the excess.

You will want to weigh the tape down with a stack of books overnight in order to create a stronger bond.

Now do the same thing with the hook part of the hook and loop tape, this time using the film container as a template. Cut a hole in the middle that's as big as the hole in your phone case. I used a 14mm (6/16 in.) drill bit. Then cut off as much of the rest of the film container to get your phone as close as possible to the binoculars (to avoid vignetting). I used my trusty table saw. Here's the result:

The surface area looks pretty small, but it works surprisingly well. Now insert your phone into the case, and stick your new adapter onto it.

Now insert this into the eyepiece of your binoculars.

And fire up your favorite camera app (or just the one that came with the phone).

Now point the whole thing at a bird (this one's hiding in the foliage).

As you can see, depending on how snugly the adapter fits into the eyepiece, one hand is free to zoom in (getting rid of the vignetting) and snap the photo.

This contraption also fits into the eyepiece of this newer model Swarovski SLC.

Here are a few photos taken with this setup:




If your new adapter doesn't fit into your eyepiece (here on a Swarovski CL) you can screw in the eyepiece where the adapter is and rest your phone on the other eyepiece.

With this setup you need both hands to hold the phone and adapter to the binoculars, making it hard to operate your camera app.

However, there are camera apps that react to your voice. You can take a picture, for example, by saying "take the picture"!

This can all be very tricky, however, so here's how I made an adapter to fit this model:

A friend had an old plastic vacuum cleaner nozzle that tapered slightly from one end to the other:

I cut off slices about 2 cm (1 in.) thick till I had a ring that fit snugly over the ocular:

Then I got a hole saw that would cut a circular piece of an old CD-ROM to fit exactly inside the plastic ring. First I pre-drilled a hole in a scrap of wood and clamped the CD-ROM centered on the drill hole:

This is the result of drilling the disc:

I had to cut off some extraneous plastic and flash with a Stanley knife to make the disc fit inside the ring. Then I cut off a piece of the hook and loop tape and stuck the ring on it:

Then I put the disc inside this:

Then I cut off the corners of the tape:

Then I made a few more snips to create some tabs:

Then I folded the tabs up and stuck them to the ring:

Then I taped some duct tape around the ring:

Then I cut a hole in the bottom of the hook and loop tape as large as the hole in the disc:

Done:

A couple photos from this new contraption:



None of these pictures will win prizes in a print publication of course, but if that's what you wanted, you wouldn't be using a smartphone. However, they're perfectly good for documentation purposes and for posting on your favorite social media site.

2014-03-15

Testing the Swarovski ATX Spotting Scope

Swarovski's modular spotting scope system ATX/STX allows you to interchange 3 sizes of objective lenses with one ocular.

The oculars are also available in angled (ATX) or straight (STX) versions.

The objective sizes are 65 mm (25 to 60 power zoom), 85 mm (also 25 to 60 power) and 95 mm (with a whopping 30 to 70 power zoom).

The objectives have the further advantage of having the zoom ring right next to the focus ring of the ocular... no more fumbling between the two when focussing and zooming on a distant subject.

65 mm objective and ATX ocular separate
65 mm objective and ATX ocular separate
65 mm objective and ATX ocular connected
65 mm objective and ATX ocular connected

I have been testing the ATX for several months with the 65 and 85 mm objectives.

65 mm and 85 mm objective comparison
65 mm and 85 mm objective comparison

My main focuses are identification, observation and digiscoping with a compact digital camera (both photos and videos). For this I've been using the DCB II digiscoping adapter.

65 mm objective with ATX ocular, DCB II and camera separate
65 mm objective with ATX ocular, DCB II and camera separate

65 mm objective with ATX ocular, DCB II and camera connected together and ready
65 mm objective with ATX ocular, DCB II and camera connected together and ready

The great advantage of this adapter is that you can easily fold it up out of the way to view through the scope.

65 mm objective with ATX ocular, DCB II and camera folded up
65 mm objective with ATX ocular, DCB II and camera folded up

Once you've attached the adapter, there's really no reason to ever take it off again even if you switch objectives. I walk around all day with this setup (plus tripod) on my shoulders. The only reason to take the camera off the adapter is when the battery runs down and you change to a freshly charged one.

The advantage of a larger 85 mm (and 95 mm) objective lens, of course, is to allow more light to reach the eye under suboptimal lighting conditions. The 65 mm lens is so good, however, that for me the advantages of lighter weight and less volume mean that I usually leave the 85 mm lens at home before leaving on my hours-long treks, often in mountainous terrain. The 85 mm objective lens alone (without the ocular) weighs 1.15 kg (2.53 lb.) compared to 0.84 kg (1.85 lb.) for the 65 mm lens, a difference of 0.31 kg (0.68 lb.).

With practice changing the objectives is easy, but since this is the part that attaches to the tripod, you have to change two attachments every time (the attachment to the tripod and the attachment to the ocular). Therefore, unless the lighting conditions are really bad and I won't be walking around too much, I would stick with the 65 mm lens. Your mileage may vary.

Another piece of optional equipment is the balance rail, the reasoning behind which is that the added weight of the camera will make the ocular end of the scope heavier, causing that end to tip down.

85 mm objective with ATX ocular and balance rail separate
85 mm objective with ATX ocular and balance rail separate

85 mm objective with ATX ocular and balance rail connected
85 mm objective with ATX ocular and balance rail connected

In the photos the foot on the balance rail is closer to your body (and the camera) than the foot on the scope. With a push of the green button on the balance rail you can easily slide the center of balance to any desired position.

The balance rail fits both the 65 mm and 85 mm (and presumably 95 mm) lens, but not without considerable fiddling. This is not meant to be done in the field.

The balance rail is much more sophisticated than in the ATM system. Swarovski obviously put a lot of thought into it, but it adds 0.34 kg (0.75 lb.) to the system. At first I thought the problem of the camera tipping down when you least expect it would be larger. Admittedly I've gotten into the unconscious habit of tightening the corresponding knob on the tripod before taking my hands off the positioning handle. And with compact digital cameras becoming more and more compact and lightweight, this is becoming less and less a problem.

The tripod head I tested with this system was a DH 101 and the tripod was a CT 101, the same as in this blog post, so I won't go into further detail.

As you can see the Swarovski ATX/STX spotting scope system is truly modular to fit any need.

In summary the system I usually use consists of:
  • Swarovski 25-60x 65mm spotting scope objective
  • ATX ocular
  • DCB II digital camera base
  • CT 101 carbon tripod
  • DH 101 tripod head
  • Nikon Coolpix P310 compact digital camera

The total weight of this system is about 4.5 kg or 10 lb. as measured by my luggage scale, about the same as my previous system.

For photos made with this system see my previous post and my Flickr Photostream. For videos, see my YouTube wildlife playlist.

German-language version of this post

2012-06-02

Digiscoping Test

After getting my spotting scope repaired, I did a digiscoping test.

Here's my equipment:

  • Swarovski AT 80 spotting scope (13 years old)
  • Swarovski 20-60x eyepiece
  • Swarovski tripod
  • Foto Fennica SWA AT camera adapter with 27 mm adapter ring
  • Nikon CoolPix AW100 compact digital camera

The CoolPix AW100 is one of the only compact digital cameras I know of that has a filter adapter (40.5 mm). At first I tried connecting this to the SWA AT camera adapter with 2 filter adapter rings (that added a mm or 2 to the distance from camera to scope). I couldn't find an individual adapter ring that went from 27 to 40.5 mm. However, the vignetting was too pronounced.
In order to reduce vignetting by getting the camera lens as close as possible to the scope's eyepiece, I got my brother-in-law to screw the plastic AW100 filter adapter directly to the SWA AT camera adapter. This was achieved by boring threading for the screws used directly into the metal camera adapter.
In the photo below the Bullfinch was in the shade at a feeder in my yard. I used the 20x magnification of the zoom eyepiece and the maximum optical zoom of the camera (4x). The photo was not cropped. As one can see there is no vignetting when using the camera's optical zoom.
In the following photo the Bullfinch was at a different feeder in full sunlight. I was closer to the subject and couldn't use the full optical zoom because the bird would fill the frame too much. Notice the vignetting.
The following photo is the same as the one above except that much of the vignetting was cropped out. Here one can see individual feathers of this songbird and the black eye against the black background. Even using my scope I would not have noticed this level of detail. In the wild it is almost impossible to distinguish this bird's eye from its background. Click on the photo for a larger version.
With a little more practice I could probably make fairly good photos with this setup. However, if the bird wasn't relatively stationary at my feeder for several minutes, I'm not sure I could get set up quickly enough before the bird flew away. It takes some time to remove the rubber eye cup and affix the first half of the camera adapter to the scope eyepiece with the set screw. The other half of the camera adapter is clipped on quickly to the camera, but this is also its disadvantage: Due to its material (plastic) it sometimes comes off again too easily and might break easily.

Swarovski makes a similar camera adapter called the DCA that would fit my eyepiece. This may be more stable. However, I plan on trying a different setup altogether for the following reasons:

  • My scope isn't particularly suited to digiscoping since it's not HD.
  • My eyepiece isn't particularly suited to digiscoping since it's not wide-angle.
  • I think the digital camera base (DCB) by Swarovski would be more practical than the type of adapter I'm using, since it swings up and away for viewing and swings back quickly into place for taking photos, but the DCB doesn't fit my older model scope.
  • A different compact digital camera that allows one to do more settings manually might be more suitable.

So, except for the tripod, that means exchanging every part of my equipment. I might as well get a new tripod too, since they're lighter these days.

What are your experiences with digiscoping? Please comment below.

2009-12-27

AC/DC concert threatens rare birds

There's a story spreading like wildfire on news and blog sites (http://tinyurl.com/ac-dc-concert-birds). Very many of them have exactly the same wording, and many don't quote their sources. Here's an example:
"Rockers AC/DC may have to cancel a sold-out concert because their big sound poses a danger to rare birds.
Animal rights campaigners are threatening legal action if the band goes ahead with a gig planned for Wels airport in Austria in May.
Hans Uhl of BirdLife said birds nesting in the area at the time would be threatened by anthems such as 'Highway To Hell' and 'You Shook Me All Night Long'.
'The second biggest colony of curlews in Upper Austria and various other ground-nesting birds must not become endangered,' Mr Uhl said.
The 80,000 tickets for the event sold out within hours, after going on sale earlier this month."
 (I got this from http://www.skynews.com.au/showbiz/article.aspx?id=411151.)

I'm a hard-rock fan myself and enjoy AC/DC's music (although I prefer Alice Cooper for example), but let's get a few facts straight here:

Eurasian Curlew nest and eggs
Eurasian Curlew nest and eggs
(photo: Wikipedia)

Many of the blog replies go something like this: "It's an airport, for heaven's sake; can't the birds take a few hours of AC/DC music?" Yes, they probably can. It's not the music that threatens the rare birds but the 80,000 fans unwittingly trampling the nests, young birds and eggs that are actually laid directly on the ground where the concert is to take place in the middle of the breeding season. The stage would also be built directly on the same ground where many of the nests are. Note the "ground-nesting birds" in the quote attributed to Hans (a friend of mine, by the way). The stage and audience area will take up the entire meadow where the nests are.

BirdLife, the group Hans Uhl represents, is not an animal rights group (http://en.wikipedia.org/wiki/Animal_rights) composed of activists or campaigners, as stated in the reports, but a wildlife conservation group (http://en.wikipedia.org/wiki/Wildlife_conservation) composed of ornithologists (including me, by the way). There's a big difference between those kinds of groups.

Juvenile Eurasian Curlew at Wels airport
Juvenile Eurasian Curlew photographed at Wels airport by © Josef Limberger
BirdLife is not requesting cancellation of the concert but postponement till after the breeding season when the young have hatched and gotten out of harm's way (or relocation of the concert).

Some of the blogs imply that Hans thinks the bird species in question will die out ("be wiped out"). This is not true, but it is true that this particular colony of these rare birds could be wiped out, never to return, if all their nests are trampled this year. I will happily name the various bird species in question to anyone interested (it's not only curlews).

There are plans to protect the meadow as a natural area. It isn't one yet, or else this wouldn't have happened. However, the town of Wels, where the airport is located, neglected to inform the organizers that they need to go through a permit procedure involving government conservation agencies before they started selling tickets.

Adult Eurasian Curlew at Wels airport
Adult Eurasian Curlew photographed at Wels airport by © Josef Limberger
All this doesn't come out in the original reports that all the online sources refer to, quote and/or copy, but I live here and am involved with the issue, so I know better.

As a strange twist of irony, the UN has declared the day of the concert (May 22) as the International Day for Biodiversity (http://www.cbd.int/idb).

Here's Wels Airport. As you can see, it's a little smaller than, say, Chicago O'Hare. The airport's own website (http://www.wmw.at/Aerodrome/Aerodrome_Nature.aspx) brags about rare species of plants, bees and frogs as well as birds. The site's in German, but it has nice pictures :-)

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